In the wake of the Canadian GP I have been considering the similarities between the current Formula 1 season and the Danish political police drama The Killing. We are currently half way through watching the box set of series 1 and I figure by the final disc I will be close to being fluent in Danish, at least in terms of police and forensic procedures. The series follows the aftermath of the murder of a school girl, investigated by female police detective Sarah Lund. Homicide cop Lund sports the sort of knitwear that even Fernando Alonso wouldn’t be see dead in at the Ferrari annual ski event. Like Alonso, Lund is teamed up with a less stylish and rather slow sidekick.
Similar to this year’s Formula 1 season, in each episode a new suspect comes to the fore and appears a certain candidate to be ‘the man’. However, by the time the next episode comes around the suspect is dismissed and drifts back out of the picture. One minute it looks like it’s got to be Button, no Rosberg, or Maldonado, maybe Hamilton? Like any good suspense thriller, I suspect the outcome won’t become clear until close to the season finale and we’ll all say, “Well I knew it was going to be him all along.”
In The Killing, the murder story is intertwined with a political drama, involving dishy widower and aspirant mayor, Troels Hartmann. He’s like David Cameron, Nick Clegg and Ed Miliband all rolled into one, except he’s also got integrity, personality, looks and charisma. Overall, Danish politics appear to involve a never ending series of negotiated alliances which instantly break down, very similar to the experience of the Formula One Teams Association.
Also just like The Killing, the American version of Formula 1 is a steaming pile of gødning.
FORMULA ONE MUM